There’s nothing wrong with nostalgia — it beats trying to run after the young ‘uns and pretending that everything they utter is an essential insight. That’s because there’s nostalgia and then there’s just getting stuck in the mud. Don’t get me wrong, youth insight is important, but I’d sooner be looking up to Glenn O’Brien and Tim Blanks — both of whom don’t seem to waste their time assuming that the kids are the key to everything, and have dealt with recent job cutbacks in an unruffled manner that I found particularly inspirational. Continue reading POWELL & SAVILLE: ORIGINAL VLOGGERS & BLOGGERS
There’s a lot of people whose worlds peaked when Bizarre Love Triangle released. They’ll talk of nothing but defunct Manchester nightclubs and daydream about Hooky’s low slung bass. They’ll sail of a wave of revisionist history that crashes in their heroes fake DJing at a student union, and get angry at any whippersnapper who dares to comment on their teen idols, positively or negatively. Dancefloor veterans telling you, “You weren’t there maaaaan!” But beyond the angry old men, most of the music is still fantastic, and the art direction on those Factory releases is magnificent. Peter Saville is name checked repeatedly with good reason — not only is his work memorable from a graphic standpoint, but there’s a thought process at word that makes him an interesting interview subject. Saville spoke with Lou Stoppard at SHOWStudio recently, and they’ve upped a 99 minute uncut version of the conversation. Every second of Power, Corruption & Lies or Closer is still essential, and much of what Saville has got to say has something to give to a new generation — his pro-research sentiment about the epiphany of realising the amount he never knew (mentioned around the 45 minute mark), and the subsequent bliss of stumbling upon the vastness of context is a call to learn, rather than the actions of a time-frozen curmudgeon. Everyone with a new brand making homages of homages who wants to be around in 24 months might benefit from listening — even if it’s just for 12 minutes.
This Canadian documentary from 1993 has just appeared on YouTube via Barnaby Marshall. 10-20: Berlin provides some rare footage of the first Cycle Messenger World Championships that took place in Germany. William Gibson makes an appearance, on the back of his novel Virtual Light being based around a courier in a post-earthquake SF, and there’s also a brief chat with Futura 2000 (who was once a messenger himself). Despite the early 1990s Real World style presentation, there’s some superb soundbites in it.
After over a decade of Champion as a licensed brand putting its name to some total crap in the UK, a trip to Jacket Required revealed that the brand was coming back in a big way. Whether this deads the brand as a cult object of desire or elevates the power of the C across the board remains to be seen (without Supreme’s co-sign at a collaborative level I’m guessing that this probably wouldn’t actually be happening — I recall meeting dead ends helping a friend try to release a similar collection over here before the Supreme store opened in London), but the (non American-made) product is good — Reverse Weave sweats with the chest and sleeve branding in the orange I always wanted, plus some bold colours that tap into the casual/Paninaro nostalgia as well as the usual skate and hip-hop cues, script sweats with the stripes on the cuffs and waist, plus, controversially, a crew with a vast C that reminded me of the medium-sized tees I was ogling in the nanamica store in Tokyo a couple of months back. My good friend Nick Schonberger hates the latter (which is dropping in five colours) — I’m into it at the moment, but I wish it dropped in Modell’s rather than the spots that might be stocking it alongside generic struggle streetwear on these shores. Looking at the IG debate when size? announced their Champion offerings, it looks like there’s still some damage control needed to give the brand the status it once had and sell sweats around the 80 quid mark. At least this product (which I believe is being distributed by the same company that’s putting the Canadian-made Todd Snyder pieces into top-tier stores) ticks a few boxes on a few wish lists in terms of details. Not bad.
If you pretend that nothing New Order-related has happened since early 2005 and ignore the beefs, the DJ gigs, the new lineups and the kind of person who won’t stop telling you how ace they were live at the The Haçienda or wherever they changed their life, they’re still a great, great band with an incredible visual identity. The 2010 Rizzoli Joy Division book that compiled Kevin Cummins’ images of the band was pretty good and next year they’re releasing New Order, a book of Cummins’ New Order photographs. The last book had Jay McInerney on intro duties and this time they’ve drafted in Douglas Coupland to pen the introduction. Nice cover.