Tag Archives: everlast

LAURA WHITCOMB & SPORTSWEAR

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The best thing about this site is the ability to up missing details you forget to mention in features way, way back. In last year’s bid to blow up the adidas Gazelle I omitted to mention the impact of Laura Whitcomb’s work and Madonna’s patronage in 1993. Whitcomb ran the store Label (which used the Repo Man style no-frills, consumerist aesthetic earlier than many) in New York from 1995 to 2010 and continues to run Label in a less prominent form. Whitcomb’s unique evening gown reinterpretation of the adidas tracksuit was initially unofficial but a memorable moment in sportswear and fashion crossover. That dress and the platform Gazelle (which I assumed was a custom, but I’m not 100% certain — there were high-heel edition too) unlocked some potential for where old world athletic performance design could be taken. Eventually, adidas gave permission to manufacture the clothes, while PUMA, Everlast and Champion apparently only agreed to one-offs. Whitcomb — an LA native who worked as a stylist in London before moving back overseas — began the Label project in 1991 with her sports remixes that would include PUMA, Everest and, a while before the flips got a little overwhelming, Champion. Those sporty maxi-dresses were much imitated, but it’s a moment in fashion that defined 1993 and instigated something far bigger. The Label by Laura Whitcomb blog has a lot of excellent press imagery from the time regarding those reappropriated adidas pieces, plus this piece on the Label store and its work with Playboy iconography. A fashion, streetwear and sportswear clash, the collaborations and even the Stash-designed VW-style LW monogram all seem a little bit ahead of their time. Here’s a 15 second video of a ’93-era adidas by Label fashion show from Laura Whitcomb’s Vimeo account…

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Images taken from here

NO MAS APPEAL

Edit – This Chris Isenberg interview by A Silent Flute’s Nat Thomson is worth your time.

Somebody make it stop. More PR blurb bouncing from blog to blog like a paragraphic echo over a 48 hour period, with loving descriptions of leather goods and other such gentlemanly matters, and the new spurt of non-groundbreaking sites pointlessly telling you how to dress in a shirt and a nice coat could have someone reaching for the Baxter of California Double Edged Safety Razor with thoughts of an afterlife.  Did some kind of poison gas leak causing mass delusions of stylist-credentials? Saddled with information to the point of apathy, stockpile your Rogue Status and Campbells tins, lock yourself away and pray for the next coming of the all-over print. Seriously, it’s no less excruciating from the outside looking in than those dark days. The “cool kids” are putting a time-limit on timeless. Yet some lines get slept-on in hypesville, but just keep on bringing it in terms of solid product, intelligently executed – like No Mas.

American sports that aren’t pugilistic can be a tough global traveller, undeniably exciting, but so steeped in stats and history, that they can prove impenetrable to an outsider looking in. The gear, megabudgets, the lurid presentation, glamour and frequent rap references make it hugely appealing though. There’s an aspirational quality to US sporting activities, from seeing Lil’ Wayne in human ESPN mode to the humble sweat in a generous jock cut. No Mas embrace sport culture, and at a global level, in all its forms. Scandal, rap references, the next generation, true legends treated with non-ironic reverence…all of it.

Like the west coast’s UNDFTD, always consistent on the design front, team No Mas channel their locale’s legacy, attitude and aesthetic perfectly. They had gems on Digital Gravel, but during a trip to the Union sample sale in L.A, where Chris Gibbs knew what time it was with the sample Stussy world tour varsity at £44 in UK money, seeing the No Mas ‘Former Champion’ project in the flesh, instantly created a No Mas fan. The brand’s name, seemingly riffing on the second Duran and Sugar Ray bout was cool, but stitching disgraced sportsmen’s names on the back of US-made Champion Reverse Weaves and  hand stitching  ‘Former’ before that familiar lettering felt like the fruits of a high-five laden bar conversation brought to life. They even added their spin on the original Champion tag. Now that’s dedication. The Dee and Ricky assisted collection of bags made from old ‘Starter’ jackets, retitled ‘Finisher’ was  clever too.

For the most part, we tend to skirt around the sporting origins of those grey fleece garments you’re rocking now by looking too close under the microscope (guilty as charged here your honour) at the direction of the stitch, the collar the cut and the authenticity or recreation rather than the utilitarian reason for being of, say, a sweatshirt, or a t-shirt…dwelling on day-to-day lifestyle instead of ever breaking a sweat seems to lose sight of the bigger picture. Chris Isenberg and Dan Larzelere founded the brand in 2004 based on pure passion for the subject matter, and the No Mas brand has grown into a media outlet too, whose updates are always worth your time – more on that later. Oh yeah – have a look at their guest-edited Frank151 from a few years back too for the ‘Illustrated History of Recreational Drugs in Sports.’

Like Supreme, the tracking down of relevant figures and official licensing dodges the cheapo pitfalls that left most streetwear brands floundering a few years back – currently, their use of the Wiffle Ball licence (an item recently marvelled over by a limey contingent in a Cleveland-based Dick’s store for its striking logo) on tees looks great, a collection of Ali shirt reproductions in association with Worn Free that aren’t tainted with the Superdry-style wack of so many other cotton garments bearing the man’s name, shirts dedicated to stubborn refusals to accept new ground names, and their sponsorship of Golden Gloves winning heavyweight Tor Hamer means tie-in gear too. Even after recent events, it’s tough to beat a ‘TYSON VS. GIVENS’ lettered zip-up.

The haymaker in the collection is the hookup with Everlast NY, and the reproduction of the EVERLAST NY t-shirt worn by the legendary Floyd Patterson during training. This isn’t bullshit nostalgia – this is a labour of love, seemingly made for the handful who know the deal with both fighter, and a legendary brand. It’s a shame it seemed to go under the radar, as it’s one of the most perfectly executed collaborative creations in some time.

Before this blog entry hops off the dick, back to the visual treats; the No Mas ‘Rumblevision’ project let James Blagden, David Rathman and Jerome Lagarrigue interpret key elements of the “Rumble In The Jungle” through animation. Victory is celebrated as often as misbehaviour in Isenberg and Larzelere’s world, but even the most non-sporting can appreciate Blagden’s visual interpretation of Dock Ellis’s LSD-addled antics. Seriously, just check out their YouTube channel.  If you were a fan of ‘Ben Younger’s fine debut, ‘Boiler Room’ aka. ‘Wall Street’ with added O.C. on the soundtrack, watch his ‘Hammer Of Tor’ Hamer documentary for Playboy TV in association No Mas. If your boss calls you up on it, just say you were clicking on it for the sporting documentaries.

www.nomas-nyc.com