RYAN

thekidswerealrightryanmcginley

The only way to keep moving during the first murky weeks of January is to find things to look forward to. 2017 always sounded like a futuristic year to me — The Running Man was set then, 30 years ago when it seemed like an infinity away — but it’s surprisingly mundane thus far. That said, the events of 2016 seem to have put the building blocks in place for something appropriately dystopian. As ever, I’m glancing back and getting a little retrospective and the impending Ryan McGinley The Kids Were Alright, which arrives as a book and exhibition (by Rizzoli and at Denver’s Museum of Contemporary Art respectively) next month. 1998 to 2003 lower Manhattan life seems to be the central subject, with McGinley in an intimate role to capture the everyday antics of that world’s key figures. Expect equal parts optimism and nihilism.

On a related topic, this brief Dan Colen (a contributor to The Kids Were Alright) documentary from early last year breaks down some of his wilder joint work with Dash Snow. It’s a good primer on that era.