I’m fascinated by how some prices stay static — or, in some cases, are less than they were 30 years ago — while some have hyper inflated beyond the relative value of the pound or dollar. I’ve seen reissued adidas shoes with an RRP of less than they were in sports shops 25 years ago and I’ve seen Air Jordans from 1988 and 1989 with a 2016 price tag that’s more in line with inflation (the Air Jordan V was 90 pounds in 1990, which is the equivalent of roughly 200 pounds now), but the quality of materials – despite some romanticism regarding quality the first time around on some things — and disorienting dip from less than original RRP around 2006 on some retro releases to twice the amount a decade later, throws logic to the wayside. Since Fila got sold into multiple licensing deals, its early prestige was sullied. In 1984, the brand’s velour warm-up suits were selling at 268 dollars — over 600 dollars in today’s money. Now they can be bought for under 150 if you’re looking to dress like Roger Moore in A View to a Kill. Of course, the manufacturing wouldn’t come close to the Italian brand’s heyday, but any example of inflation reverse on that scale should dead any premium expectations.
Completely unrelated, but well worth watching, the conversation below is worth an hour of your time. As part of Harmony Korine’s Shadows and Loops show at his birthplace of Nashville’s Frist Center for the Visual Arts, he chatted with curator Mark Scala. There’s some cryptic laughter during the proceedings (and you’ll have to guess what the audience’s questions were from the answers), but, as with some lucid podcast interviews of late, there’s some good Korine trivia, like an account of his short-lived graffiti career. Part of me wants his shelved project Fight Harm to see the light of day, while the other part just wants to imagine how amazing it is.