I’ve got technical jackets on the mind right now, but I’ll up more on that here another day. Let’s cast our mind back to a time when the raised collar and extra visibility of a HH design was the stuff of dreams. I think the sheer nostalgia a Helly-Hansen jacket instigates makes folks forget how hardcore they were in the face of inclement weather. I imagine that they were pretty good for sailing in too, but anyone who remembers their reign in hip-hop and jungle, just after Nautica and Tommy seemed to boom, will get all emotional at memories of cigarette/spliff burns and un-fixable synthetic materials. Helly Hansen’s popularity wasn’t just down to aspirational cost and a degree of inner-city functionality — Loud-founder Steve Rifkind was paid to promote the brand and its sales boomed as a result, with the jackets defining the late 1994 to late 1996 rap video. It never fails to amuse me what difference a decade made — from the whitest ad of all time in 1984 to a former member of Brand Nubian as the frontman for a 1996 campaign (here’s another image from the Wild Cowboys and Hansen ads). After we all moved on, I don’t recall returning to Helly for more and I’ve always wondered whether the mansion and a yacht (rap nerds will clock the connection) brigade were alienated by the company’s courtship of hip-hop. I’m sure I recall it being sold in JD Sports for a minute, but I spotted it on a recent episode of The Deadliest Catch too, and I’m fairly certain that those guys weren’t wearing it because they paid close attention to Flex’s 60 Minutes of Funk.