Before you waste your energy here, on the assumption that you like the same stuff I do I implore you listen to this podcast on the porn industry and its mafia ties back in the early 1970s. There’s a film to be made here regarding Larry Revene’s experiences with the mob (including the infamous Roy DeMeo). Sure, there’s some technical talk here, but the anecdotal content is gold, Ashley West is an excellent interviewer and Revene’s book is full of some interesting facts if you’re intrigued by the business before it became a billion-dollar industry (and that Linda Lovelace loop they’re talking about is not something you want to be Googling in the workplace).
This is such a rush job of a blog entry that I never bothered to look for whether the contents has been upped on other blogs, so I apologise in advance if it’s a repeat or a repeat. I know I spotted a blurry image on Flickr and while my copy is more creased than discarded park pornography (and I’ve already put up scans of the photoshoot on this site before), I Love Labels from summer 1999 is one of the last memorable features I can recall from The Face (actually, the Larry Clark piece a couple of years later was a good one too, so I’m talking shit), which came from an issue with a good Air Jordan retrospective by Fraser Cooke. The union of Silas, Inspiral Carpets tees, Le Shark and Moschino, plus Supreme (“…a kind of Gap for Mo’ Wax fans…”) is memorable and the use of the letters from the logos to set off each paragraph in the intro was a nice touch. (Insert paragraphs of “I miss The Face” nostalgia here, even though it would be a paler imitation of its old self than it was before cancellation).
Watching the BBC4 Bowie documentary at the weekend, the early 1980s footage of David Bowie’s Japanese appearance showed quote a few copies of David Bowie Black Book being wielded. A visual bio that’s got a few images you don’t see too often, Miles and Chris Charlesworth’s book is being reprinted for the first time (I think) since the updated edition from 1988 in July. There’s a lot of Bowie books out there, but this is one of the better examples. On that topic, one of the best pieces unearthed from the archives for the David Bowie is exhibition was a World Industries Corporation patch from The Man Who Fell To Earth — a great piece of cinematic corporate logo design.