IT’S THE BOMB

I don’t know why I keep returning to ‘Heaven’s Gate.’ Maybe it’s for the same reasons that I keep trying to get dig away at ‘Gravity’s Rainbow’ with it’s spine cracked to just 10% of the book’s content — I want to know what I’m missing. I’m not talking about the cult of characters who topped themselves in black and white Nike Decades, but Michael Cimino’s ponderous ani-western, which fired my imagination as a kid by featuring a manic Christopher Walken, Tom Noonan, Brad Dourif, Jeff Bridges and Mickey Rourke and a nude Isabelle Huppert. Alas, the pauses, the pacing of the first half and the frequent misuse of its spectacular cast means I’ve never managed to finish watching ‘Heaven’s Gate.’ I concentrate too hard and get confused, I get restless, I answer the phone, I end up daydreaming that I’m watching ‘Con Air.’ I got so close — 20 minutes from the end of the 149 minute cut, but after pausing it to answer the door to a Domino’s I realised that I just didn’t want to go back — I didn’t care about Kris Kristofferson’s hero or Sam Waterston’s villain. That 20 minutes could be spent watching a ‘Seinfeld’ episode again

Somebody told me that I’m a fool, a spoon fed moron, who doesn’t understand the nuances of Cimono’s work, but I’m convinced that this film could be distilled into an engaging 100 minutes. I still can’t co-sign the animal cruelty like the supposedly “real” horse with dynamite sequence — if you’re going to die for a film, I’d sooner be the bull in ‘Apocalypse Now’ or the cow in ‘Come and See.’ Being sacrificed for a film that recouped $3 million on a $44 million budget is the final insult. I still haven’t made my mind up about this film. What am I missing? Why did Jerry Harvey make the extra effort to screen the longer version on the Z Channel? There must be something in this abomination that creates these rabid fans who think the film flies by. The Johnson County War is a significant moment in American history, but it isn’t the stuff of gripping cinema — rather it seems to have been something that’s touched on in more entertaining books, TV shows and films as part of a snappier narrative — and the director slows it to a molasses crawl that I can’t quite wade through.

I’m going to return for more when the real director’s cut (the 219 minute version was a rush job) that’s been trimmed to 216 minutes is released by Criterion this November. Maybe that 3 missing minutes is the key to unlocking this mess. Maybe I’m just a glutton for cinematic punishment. Will Criterion put out a ‘The Adventures of Pluto Nash’ 2-disc Blu-ray package in 2032 that lets us reassess Eddie Murphy’s lost masterpiece with a digitally restored 142 minute director approved cut? I hope so. If I had one really positive thing to say about ‘Heaven’s Gate’ it’s that the film has the best roller skate violinist/barn dance sequence of any Hollywood film. And that’s something to be grateful for.

With OG Huaraches set to return, it’s always worth focusing on a slightly more contemporary (though still showing my age) crush than Huppert — Chilli from TLC whose Huaraches and ACG-looking garments in the ‘Baby, Baby, Baby’ video make me love her even more.

0 thoughts on “IT’S THE BOMB

  1. oh you had me at ‘anti-western’…how did i miss this one??? i think i might just watch it this weekend. oh and btw…welcome to canada, although i have to say the east coast is cooler than the west coast…i’m biased.